Harman Kardon CL

Harman Kardon is a fixture in the audio world, blending unique visual design and high- quality performance to make stand-out products like the SoundSticks III PC speakers ($169.95, 4.5 stars). Aside from a couple of in-ear models several years ago, headphones have not been part of the speaker manufacturer's lineup, so the Harman Kardon CL ($199.95 direct), is something of a debut for the established speaker company. This well-designed pair of headphones offer solid audio performance and, like most Harman Kardon products, looks good doing it. The headphones are reminiscent of the lineup from Bowers & Wilkins, another speaker icon that has recently tried its hand at consumer-level headphones. The CL is a strong first attempt, but it has some fierce competition in the $200 price range.

Design
As mentioned, a quick look at the CL, and one headphone pair immediately comes to mind: The Bowers & Wilkins P5 Mobile Hi-Fi Headphones ??(4.5 stars). Both pairs are on-ear (supra-aural) headphones with rectangular earpads and a design that feels simultaneously retro?in the space age sense?and modern, thanks to the use of black leather and metallic accents. However, it's the Bowers & Wilkins P3 ($199.99, 4 stars) that the Harman Kardon CL ?matches up with in terms of price. And for this price, you get a few more extras than you do from B&W.

The CL, which folds down flat like many modern headphones, features a removable cable?which helps increase the value of the pair, as you can replace the cable without having to replace the headphones if it's the only thing that is damaged?as well as a removable headband. The metallic headband acts as a sort of shock mount for the secondary padded leather headband that sits underneath it, which is the part that actually touches your head.

Unlike most headbands, the CL's metallic and leather combo more or less adjusts itself to your head; you needn't fiddle with it to get the right fit. The size of the metallic band makes all the difference in the world here?a small and large band are included?so if they are uncomfortable at first, try switching out the bands. Generally speaking, the fit is very secure and comfortable. But over longer listening periods, the earcups can feel as if they're pressing too firmly against your ears. If you wear glasses, this can be a bit uncomfortable, but not so much that it's a deal-breaker.

The CL ships with a far nicer case than the equally-priced P3 . The P3's is sturdy and small, but it's sometimes a struggle to fit the headphones completely into its tight confines, whereas the CL's case is less deep, but larger. It looks like a black leather daily planner from some angles. This is possible because, when the CL's earcups fold down flat, the headphones become quite narrow, and there's no need for a deep case. The P3's case probably protects the headphones better, if you manage to stuff them entirely in there, but the CL's carrying pouch is one of the classiest accessories we've seen accompany headphones, so that's got to count for something.

The iOS controls and microphone built into the cable, along the left ear, allow for answering and ending calls, as well as adjusting the volume and navigating tracks. Call clarity is fine.

In an era dominated by in-canal earphones and bulkier over-the-ear (circumaural) headphones, like the Beats by Dr. Dre ?(4 stars), Harman Kardon and B&W seem to be dialing back the bulk and focusing primarily on simplicity and style. Thankfully, both manufacturers are also both quite focused on audio performance.

Performance
The Harman Kardon CL packs a nice punch?rich, deep bass without going overboard, combined with crisp highs and plenty of definition in the mids. Unsurprisingly, the same can be said about Harman Kardon's excellent Soundsticks III , a PCMag favorite?though those are computer speakers. The CL does produce the slightest hint of distortion at absolute maximum volume on some tracks with seriously deep bass, but the distortion is so negligible and barely noticeable?and that listening level is so unsafe for human ears?we're not going to dwell on this other than to briefly mention it. Basically the CL offers powerful, clean playback for 95 percent of the music out there at absolute maximum volume, and all music at just one volume notch below, which is still a higher volume level than you should be listening at.

The Knife's "Silent Shout" is the minor distortion culprit, but again, the distortion is so minor, it's nearly undetectable. At a hair below maximum volume, it disappears completely, and the bass response is quite deep, resonant, and intense. This song's powerful electronic kick drum beat is aided by the clarity and crispness of the high-mids and highs the headphones produce.

The CL really shines on classical music, like John Adams' piece, "The Chairman Dances." The pulsating brass lines are punchy, while the corresponding parts for the lower-register strings are delivered with an appropriate amount of resonance?nothing booming, but nothing too thin, either.

Pop, rock, and hip hop all sound fantastic on the CL?David Bowie's "Golden Years" lets the excellent, hard-panned guitar work shine while the headphones still provide plenty of clarity for his excellent vocals, and just the right amount of thump and low-end from the rhythm section. Jay-Z and Kanye West's "No Church in the Wild" has a beat that the CL delivers with an intensity that at times feels like it could match a massive club PA system, but clarity always seems to be the priority, so with all of these genres, things are never muddy.

This brings us to the primary difference between the B&W P3 and the Harman Kardon CL. The CL's clarity comes from its crisp highs and well-defined mids. There's some exaggeration there, for sure, but it's not over-the-top and it never sounds harsh. The P3 never sounds bad, either, but it delivers a much different sound signature. Both pairs have substantial bass response, but the P3 couples its low-end with far less sculpting in the high frequencies. Side by side on the same tracks, you might think the P3 even sounds a bit muffled, but on its own, it sounds fantastic, as well?it simply doesn't boost the highs and mids with the same intensity as the CL. If you've whittled your shopping down to these two pairs, that is the primary difference between their sonic performance.

Perhaps $200 is not within your budget, but you'd still like a pair of on-ear headphones with iPhone controls. Luckily, there are plenty of choices, though you will have to take a step down a bit in terms of audio performance. The Senta-40 Wood headphones by C. Crane ?(3.5 stars)? and SOL Republic Tracks ?(4 stars) are both solid, less- expensive options. If you're looking for an in-ear pair that delivers similar performance to the CL and P3?we've yet to test Harman Kardon's new earphone pair, but the Bowers & Wilkins C5 In-Ear Headphones ?(4.5 stars) are, unsurprisingly, similar in sound signature to the CL and P3.

If I personally had to choose between the P3 and the CL, however, it would be tough. I do prefer the added bit of crisp edge the CL packs in the highs, but it is noticeably less comfortable over long-term listening sessions than the P3?especially if you wear glasses like I do. Both pairs, however, are worth your serious attention if you're looking in the $200 range.

?More Headphone Reviews:
??? Harman Kardon CL
??? Sennheiser MM 550-X
??? Sonomax Eers PCS-150
??? Monster Inspiration
??? Moshi Vortex Pro
?? more

Source: http://feedproxy.google.com/~r/ziffdavis/pcmag/~3/xoJ0V3XB2Vk/0,2817,2407592,00.asp

3 10 to yuma west virginia football west virginia football black friday violence black friday violence il postino il postino